Creations of Leonardo da Vinci presentation 9 slides. Art presentation on "Leonardo da Vinci"
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Leonardo Da Vinci: a genius personality Performed by: Yulia Sabitova, 11th grade student of the MKOU secondary school in the village of Kobra Supervisor: Ekaterina Anatolyevna Rychkova
Leonardo Da Vinci (1452-1519) In the history of mankind it is not easy to find another person as brilliant as the founder of High Renaissance art, Leonardo Da Vinci. The comprehensive nature of the activities of this great artist and scientist became clear only when scattered manuscripts from his legacy were examined. A colossal amount of literature has been devoted to Leonardo, and his life has been studied in detail. And yet, much of his work remains mysterious and continues to excite people’s minds.
Leonardo Da Vinci was born in the village of Achiano near Vinci, not far from Florence. He was illegitimate son a wealthy notary and a simple peasant woman. The house where Leonardo was born
Noticing the boy’s extraordinary abilities in painting, his father sent him to the workshop of Andrea Verrocchio. In the teacher’s painting “The Baptism of Christ,” the figure of a spiritualized blond angel belongs to the brush of the young Leonardo Andrea Verrocchio and Leonardo Da Vinci “The Baptism of Christ” by Andrea Verrocchio
Among his early works is the painting “Madonna with a Flower” (1472). Unlike the masters of the 15th century. Leonardo refuses narration, the use of details that distract the viewer's attention, saturated with background images. The painting is perceived as a simple, artless scene of the joyful motherhood of young Mary “Madonna with a Flower”
Around 1482, Leonardo entered the service of the Duke of Milan, Lodovico Moro. The master recommended himself first of all as a military engineer, architect, specialist in the field of hydraulic engineering, and only then as a painter and sculptor. However, the first Milanese period of Leonardo's work (1482-1499) turned out to be the most fruitful. The master became the most famous artist in Italy, studied architecture and sculpture, turned to frescoes and altar paintings
Not all grand plans, including architectural projects, Leonardo failed to implement. The equestrian statue of Francesco Sforza, father of Ludovico Moro, took more than ten years to complete, but was never cast in bronze. Clay model of the monument in life size, installed in one of the courtyards of the ducal castle, was destroyed by French troops who captured Milan. Francesco Sforza Ludovico Moro
In 1977, Charles Dent began reconstructing the sculpture. In September 1999 it was installed at the San Siro hippodrome in Milan. Equestrian statue(San Siro, Milan) Leonardo's Horse, sculpture sketch
The paintings of Leonardo from the Milanese period have survived to this day. The first altar composition of the High Renaissance was “Madonna in the Grotto” (1483-1494). The painter departed from the traditions of the 15th century, in whose religious paintings solemn constraint prevailed. In Leonardo's altarpiece there are few figures: a feminine Mary, the Infant Christ blessing little John the Baptist, and a kneeling angel who seems to be looking out of the picture. The images are ideally beautiful, naturally connected with their environment. This is a kind of grotto among dark basalt rocks with a gap in the depths - a landscape typical of Leonardo as a whole, fantastically mysterious. The figures and faces are shrouded in an airy haze, giving them a special softness. The Italians called this technique by Leonardo sfumato.
“Madonna and Child” In Milan, apparently, the master created the painting “Madonna and Child” (“Madonna Litta”). Here, in contrast to “Madonna with a Flower,” he strived for greater generalization and ideality of the image. What is depicted is not a specific moment, but a certain long-term state of peace, joy, in which a young beautiful woman is immersed. A cold, clear light illuminates her thin, soft face with a half-lowered gaze and a light, barely perceptible smile. The painting is painted in tempera, which adds sonority to the tones of Mary’s blue cloak and red dress. The Baby’s fluffy, dark-golden curly hair is amazingly written, and his attentive gaze directed at the viewer is not childishly serious.
When Milan was taken by French troops in 1499, Leonardo left the city. The time of his wanderings has begun. For some time he worked in Florence. There, Leonardo’s work seemed to be illuminated by a bright flash: he painted a portrait of Mona Lisa, the wife of the wealthy Florentine Francesco di Giocondo (circa 1503). The portrait is known as “La Gioconda”; it has become one of the most famous works of world painting. "Mona Lisa" (La Gioconda)
Self-portrait B recent years Throughout his life, Leonardo Da Vinci worked little as an artist. Having received an invitation from French king Francis I, he left for France in 1517 and became a court painter. Leonardo soon died. In a self-portrait (1510-1515), the gray-bearded patriarch with a deep, mournful look looked much older than his age.
Clos Lucé, place of Leonardo's death
The scale and uniqueness of Leonardo’s talent can be judged by his drawings, which occupy one of the honorable places in the history of art. Not only manuscripts devoted to the exact sciences, but also works on the theory of art are inextricably linked with Leonardo Da Vinci's drawings, sketches, sketches, and diagrams. Much space is devoted to the problems of chiaroscuro, volumetric modeling, linear and aerial perspective. Leonardo Da Vinci is responsible for numerous discoveries, projects and experimental studies in mathematics, mechanics and other natural sciences.
Leonardo Da Vinci's works on human anatomy Vitruvian Man Description and sketches of the human embryo
Leonardo's Inventions Parachute Car
War machine Aircraft drawing
Spotlight War Drum
Drawing of a flying machine Crossbow
Monument to Leonardo in Amboise The art of Leonardo Da Vinci, his scientific and theoretical research, the uniqueness of his personality has passed through the entire history of world culture and science and had a huge impact on it.
Thank you for your attention!
Creation Leonardo da Vinci
Presentation on MHC
Teachers of OGKOU “Sanatorium boarding school” Kokareva S.Yu.
Leonardo da Vinci
Italian painter, sculptor, architect, scientist, engineer.
He made numerous discoveries and conducted experimental research in the fields of mathematics, natural sciences, and mechanics.
Leonardo da Vinci. "Self-Portrait" (circa 1510-1513). Library, Turin.
In the refectory of the monastery of Santa Maria delle Grazie, Leonardo creates the painting “The Last Supper” (1495-97; due to the risky experiment that the master undertook, using oil mixed with tempera for the fresco, the work has reached us in a very damaged form).
The clear stage logic of facial expressions and gestures, as well as the combination of strict rationality with an inexplicable mystery, made The Last Supper one of the most significant works in the history of world art.
In Leonardo's most famous painting, the portrait of Mona Lisa (the so-called "La Gioconda", circa 1503, Louvre), the image of a wealthy city dweller appears as a mysterious personification of nature as such, without losing its purely feminine guile.
The internal significance of the composition is given by the cosmically majestic and at the same time alarmingly alienated landscape, melting in a cold haze.
Leonardo da Vinci. "Mona Lisa". Louvre, Paris.
The humanistic ideal of female beauty is embodied in the portrait of Mona Lisa
("La Gioconda", circa 1503).
Reddish paper pasted onto canvas; coal; whitewash
The complex grouping of figures is typical of the compositional searches of the early 16th century.
Leonardo da Vinci. "Saint Anne with Mary, the Christ Child and John the Baptist"
The most important source for studying the views of Leonardo da Vinci is his notebooks and manuscripts. The master did not leave a systematic presentation of his thoughts.
"Treatise on Painting", prepared after Leonardo's death by his student
F. Melzi, who had a huge influence on the theory of art, consists of excerpts arbitrarily extracted from the context of his notes.
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Leonardo da Vinci is an Italian artist and scientist, musician, inventor, one of the largest representatives of the art of the High Renaissance, a shining example of a “universal person.”
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A universal person.
Sculpture Architecture Music Natural Science Inventions Anatomy Painting
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Childhood.
Leonardo da Vinci was born on April 15, 1452, in the city of Vinci, near Florence. His parents were the 25-year-old notary Piero and his lover, the peasant woman Caterina. Leonardo spent the first years of his life with his mother. Soon his father married a rich girl, but the marriage turned out to be childless, and Piero took his three-year-old son to raise. Throughout his life, Leonardo tried to recreate the image of his mother in masterpieces. At that time he lived with his grandfather. Many influential people took part in the future fate of the boy. When he was 13 years old, his stepmother died in childbirth. My father got married again, but soon he became a widower again. He lived to be 77 years old and had 12 children. He tried to introduce Leonardo to his profession, but to no avail: his son was not interested in laws. society. The house where Leonardo lived as a child.
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Verrocchio
1466 - Leonardo da Vinci enters Verrocchio's workshop. He studied the humanities there and acquired a lot of technical knowledge. He studied drawing, chemistry, metallurgy, working with metal, leather and plaster. In addition to this, he was engaged in drawing, sculpture, and modeling. In 1473, at the age of 20, Leonardo da Vinci qualified as a master in the Guild of St. Luke. Members of the management of the Guild of St. Luke.
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End of life.
2 years before his death, Leonardo became numb right hand, and he had difficulty moving without assistance. He spent the third year of his life in Amboise, virtually bedridden. On April 23, 1519, he made a will, and on May 2, at the age of 67, he died surrounded by his students. There are legends that Leonardo da Vinci died right in the arms of King Francis I, his close friend. Leonardo da Vinci was buried at the Castle of Amboise. Tomb of Leonardo da Vinci in the castle of Amboise Francis I
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ACHIEVEMENTS.
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MonaLisa
Most famous painting Leonardo da Vinci's Mona Lisa, located in the Louvre (Paris, France). This is one of the most famous works painting of the world, which is believed to be a portrait of Lisa Gherardini. Leonardo da Vinci devoted almost all his time to this painting and treated it with some kind of passion. He had a special affection for the portrait, spent a huge amount of time (he painted the smile of Gioconda for almost 12 years!!!) Despite the fact that the picture is beautiful, it is befitting the Middle Ages (dull colors). And yet the picture looks very coherent and organic.
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Who is this?
Gioconda's smile is also amazing. But still, there is a main question: who did Leonardo da Vinci depict in the painting? 1. Lisa Gherardini, wife of a silk merchant. 2. According to one theory, the Mona Lisa is a self-portrait of the artist. 3. Caterina Sforza. 4. Young man in female attire (Salai) 5. Isabella of Aragon. 1 3 4 5 2
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Leonardo da Vinci is also known for other works...
"Lady with an Ermine" "The Last Supper" is a monumental painting by Leonardo da Vinci depicting the scene of Christ's last meal with his disciples.
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Inventions.
A parachute is a fabric device to which a system or load is attached with slings. A bicycle is a wheeled vehicle. Tank-intimidating opponents.
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A spotlight is a lighting device that provides angular concentration of light flux. A two-lens telescope is a device with which you can observe distant objects. A catapult-throwing machine. Robot humanoid mechanism
Description of the presentation by individual slides:
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MINISTRY OF EDUCATION OF THE RUSSIAN FEDERATION MUNICIPAL EDUCATIONAL INSTITUTION "KRASNOYARSK SECONDARY EDUCATIONAL SCHOOL No. 1" Astrakhan region Krasnoyarsk district Krasny Yar village Mordovtseva street 18 "a", phone: 8-85146-9-13-25 "CREATIVE" THE STORY OF LEONARDO DA VINCI.” Teacher of history and social studies MISHAK S. V. Krasny Yar - 2008
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“Leonardo da Vinci was not only a great painter, but also a great mathematician, mechanic and engineer, to whom the most diverse branches of physics owe important discoveries” (F. Engels)
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1. Introduction. 2. The early period of creativity. 3. Mature period. 4. Late period. Content
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In the small town of Vinci, located between Empoli and Pistoia, on April 15, 1452, Leonardo di ser Piero d'Antonio was born on Saturday. The boy's early artistic talent prompted his father to send him to study with one of the most versatile and famous masters of Florence - the sculptor, jeweler and painter Andrea Verrocchio. It was here that the formation of Leonardo’s creative individuality began. In 1472, he enrolled as a master in the Painters' Guild. Leonardo was involved in all areas artistic activity, always showing boundless curiosity and the ability to connect art with scientific knowledge, which were the result of close observation and tireless study of natural phenomena. 1. Introduction
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Ginevra De Benci. 2. The early period of creativity. “Portrait of Ginevra de Benci” (circa 1478, Washington, National Gallery) is perhaps the first painting by Leonardo, painted independently. The board was cut about 20 cm from the bottom, so that the crossed arms of the young woman disappeared (this is known from a comparison with surviving imitations of this painting). In this portrait Leonardo does not seek to penetrate inner world model, however, as a demonstration of excellent mastery of soft, almost monochrome light and shadow modeling, this picture has no equal. Behind you can see juniper branches and a landscape covered with a damp haze.
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Leonardo da Vinci painted the painting “Benois Madonna” in Florence in the late seventies of the fifteenth century. The Madonna is given the appearance of a somewhat sickly girl playing with an oversized baby sitting on her lap. A peculiar death-green coloring, a realistic interpretation of the human body, increased attention to the depiction of the play of light and shadow on individual parts of the body, and the complex position of both figures are emphasized. The light on the figures in the painting falls mainly from the left. It colors everything in greenish tones, casts greenish reflections on naked parts of the body, creates thick shadows in darker places, obscured by something from the light falling from the window. The compositional and ideological center of the painting is the interweaving three hands: two chubby little hands of a boy and a tender, girlish hand of a mother holding a flower by the stem, towards which are directed the attentive and affectionate gaze of the Madonna and the inquisitive, serious gaze of the baby, trying to clumsily grab the flower. Madonna Benoit.
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“The Adoration of the Magi” is a large multi-figure composition for which the artist prepared for a long time and carefully. He completed dozens of preliminary sketches and drawings, trying to clarify in them not only the general compositional concept, but also the movements, poses and gestures of individual figures. He was especially interested in gestures, with the help of which he sought to convey various psychological shades in the experiences of all those who came to worship the baby. He wanted to overcome the well-known rigidity and psychological constraint characteristic of most 15th-century paintings on the same topic; he set himself the goal of expanding the scope of realism, showing the diverse and contradictory life of the assembled people. It is characteristic that in the preparatory sketches Leonardo gives almost all the figures naked. Thus, he made it easier for himself to fully understand one or another motive for the movement.
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Unfinished “St. Jerome", very close in style to the "Adoration of the Magi", can also be dated to around 1480. This canvas repeats one of his favorite themes, the correspondence of emotions between man and beast. A rarely noticed detail: a strange architectural inclusion in the crack between the rocks in the upper right corner hints to us at the material world that St. Jerome renounced.
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3. Mature period. Madonna in the grotto. In Milan in 1483, Leonardo received an order to make part of the altar image for the chapel Immaculate Conception- “Madonna in the Grotto” A kneeling Mary looks at the Christ Child and little John the Baptist, while an angel pointing at John looks at the viewer. The figures are arranged in a triangle in the foreground. It seems that the figures are separated from the viewer by a slight haze, the so-called sfumato (blurred and indistinct contours, soft shadow), which now becomes characteristic feature painting by Leonardo. Behind them, in the semi-darkness of the cave, stalactites and stalagmites and slowly flowing waters shrouded in fog are visible. The landscape seems Fantastic, but one should remember Leonardo's statement that painting is a science.
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"Madonna Litta" - completed several years later than "Madonna Benois". This time the artist chose a more austere type of Madonna’s face and painted the picture in a different color scheme. But the main meaning, the ideological content of the work is the same as before: the same humanity, the same love for the genuine, living feelings of people permeates the entire work. A mother breastfeeds her baby, looking at him thoughtfully tender look; a child, full of health and unconscious energy, moves in his mother’s arms, spins, moves his legs. He looks like his mother: the same dark complexion, with the same golden hair color. She admires him, immersed in her thoughts, concentrating all the power of her feelings on the child. The Madonna's face is turned to the viewer in profile; we see only one eye, even its pupil is not drawn; the lips cannot be called smiling, only the shadow in the corner of the mouth seems to hint at a smile ready to appear, and at the same time, the very tilt of the head, the shadows sliding across the face, the guessing gaze create that impression of spirituality that Leonardo loved so much and knew how to evoke. Madonna Litta.
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In the mid-1480s, Leonardo painted the painting “Lady with an Ermine.” In the old days, ermine replaced cats and was quite widespread in everyday life. Here this animal is used as the Gallerani emblem. With remarkable skill, Leonardo conveyed the delicate, feminine face of Cecilia, who is depicted looking to the side and as if listening to the words of an invisible interlocutor. Her hands are beautifully painted, especially the right one, with which she strokes the ermine and in which there is so much individuality that just one detail indicates the authorship of an outstanding master. You need to see the Krakow portrait in the original to be convinced of how carefully the ermine’s fur is painted, each hair of which is reproduced with almost calligraphic precision. Lady with an ermine.
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Leonardo's most famous work, the famous "Last Supper" in the Milan monastery of Santa Maria della Grazie, was completed between 1495-1497. “The Last Supper” attracted him not for its dogmatic content, but for the opportunity to unfold a great human drama before the viewer, to show different characters, to reveal peace of mind person and accurately and clearly describe his experiences. He perceived the Last Supper as a scene of betrayal and set himself the goal of introducing into this traditional image that dramatic element, thanks to which it would acquire a completely new emotional sound. Refining poses and gestures in his drawings, he looked for forms of expression that would draw all the figures into a single whirlpool of passions. He wanted to capture living people in the images of the apostles, each of whom responds to the event in their own way. "The Last Supper" is Leonardo's most mature and complete work. In the center he places the figure of Christ, highlighting it with the opening of the door. He deliberately moves the apostles away from Christ in order to further emphasize his place in the composition. Leonardo divides his students into four symmetrical groups, full of life and movement. He makes the table small, and the refectory - strict and simple. This gives him the opportunity to focus the viewer’s attention on figures with enormous plastic power. The main task that Leonardo set himself in “The Last Supper” was to realistically convey the most complex mental reactions to the words of Christ: “One of you will betray me.”
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In 1504, Leonardo began work on his famous painting "Mona Lisa". This painting is considered the crowning achievement of his work. He worked on it for four years. No wonder Leonardo worked so long on La Gioconda. It is impossible to imagine a composition simpler and clearer, more complete and harmonious. The folded hands serve as a pedestal for the image, and the exciting gaze is sharpened by the general calmness of the entire figure. The fantastic lunar landscape is not accidental: the smooth curves among the high rocks echo the fingers in their measured musical chord, and with the folds of the robe, and with the light cape on the shoulder of Mona Lisa. Everything lives and trembles in her figure, she is authentic, like life itself. And on her face there is barely a smile, which rivets the viewer with a force that is truly unstoppable. This smile is especially striking in contrast to the dispassionate, seemingly searching gaze directed at the viewer. In them we see wisdom, cunning, and arrogance, the meaning of some secret, as if the experience of all previous millennia of human existence. This is not a joyful smile calling for happiness. This is that mysterious smile that shines through Leonardo’s entire worldview, in the fear and desire that he experienced before entering the deep cave that beckons him among the high rocks. And it seems to us as if this smile spreads throughout the entire picture, enveloping the entire body of this woman and her high forehead, her robe and the lunar landscape, slightly penetrating the brownish fabric of the dress with golden tints and the smoky emerald haze of the sky and rocks. This woman, with an imperiously flirting smile on her motionless face, seems to know, remember or anticipate something that is not yet available to us.
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Unexpected in its decision, depicting a pampered man with a seductive smile, it amazes with the fact that Leonardo seems to be abandoning the well-known image of the Baptist. In this bend of the body, in this smile, the artist expressed the quintessence of that eternal mystery, which was to a large extent part of his own creativity - the mystery of creating oneself. “John the Baptist” addresses the viewer with a prophecy about the coming of Christ. The index finger turned to the sky is another motif associated with the iconography of this saint, who came to the world to preach repentance, which will “clear the way” for the coming appearance of the Messiah. 4. Late period. John the Baptist.
Leonardo da Vinci
“Pitiful is the master whose work is ahead of his judgment; that master advances towards the perfection of art, whose works are surpassed by judgment.”
Brief biography
Leonardo da Vinci (1452-1519), Italian painter, sculptor, architect, scientist and engineer. Founder artistic culture High Renaissance, Leonardo da Vinci developed as a master, studying with Andrea del Verrocchio in Florence. The methods of work in Verrocchio's workshop, where artistic practice was combined with technical experiments, as well as friendship with the astronomer P. Toscanelli, contributed to the emergence of the scientific interests of the young da Vinci. In early works (the head of an angel in Verrocchio’s “Baptism”, after 1470, “Annunciation”, around 1474, both in the Uffizi; the so-called “Benois Madonna”, around 1478, State Hermitage, St. Petersburg) the artist, developing the traditions of Early art Renaissance, emphasized the smooth volume of forms with soft chiaroscuro, sometimes enlivened faces with a subtle smile, using it to achieve the transfer of subtle states of mind. Recording the results of countless observations in sketches, sketches and full-scale studies performed in various techniques(Italian and silver pencils, sanguine, pen, etc.), Leonardo da Vinci, sometimes resorting to almost caricatured grotesque, achieved acuteness in conveying facial expressions, and brought the physical features and movement of the human body of boys and girls into perfect harmony with the spiritual atmosphere of the composition .
- Leonardo da Vinci appeared before us as a great painter, sculptor, architect, scientist and engineer. In her presentation she paid much attention to its engineering developments and works of art. Undoubtedly, he is a great artist and a brilliant scientist, whose merits are difficult to compare with anyone else’s. His manuscripts and projects are priceless.
Sources
- uk.wikipedia.org/wiki/ Leonardo _ Yes _ Vinci
- leo vinci .ru/biography/
- relaxic.net › Art, design and creativity
- fishki.net/11842-kartiny- Leonardo -da- vinchi -36-foto.html
- https://vk.com/album-127681_12149692